Dead End or Three-Way Stop?

When trying to write a song, write what you feel. OK, but what about when you aren't even sure of what you're feeling? I try to write my feelings, but I don't know what is going on in my head. It seems to just be a hurricane of emotions and thoughts and dreams. The result is a lot of unfinished work and frustration in failing to be able to know myself. I've never been very good with emotions.

There are times that I get thrown into an emotional funk. I'm not quite sure what ends up pulling me out of it, but I always seem to come around. I can't wait until I do.

For now, I'm not sure if I'm at a dead end or a three-way stop. By that I mean, is my songwriting creativity over, or am I stopped while I determine whether to turn left or right?

3 for 3

I am very happy with the last 3 albums I have bought. They are: Brad Paisley's American Saturday Night, Darius Rucker's Learn to Live, and Jars of Clay's Long Fall Back to Earth.

Brad Paisley has done it again. A review I read in Billboard today said it well that Paisley knows what his fans want and how to give it to them. In my opinion, this album was toned-down slightly, much like Keith Urban's latest. However, it is still a great album. The songwriting is great - pondering who his son will grow up to be, the first meeting of BP and his wife, the blender bowl we know as America. There is even a guest appearance by his son, Huckleberry Paisley. There are a couple songs on the album that almost don't sound country, including the second track "Everybody's Here." Go buy this one.

The frontman for Hootie and the Blowfish has done what he has been trying to talk the band into for years. I heard on an interview a while back that Rucker tried to convince the Blowfish they needed to do a country album. But the Blowfish blew him off. Rucker showcases his songwriting skills, co-writing all but one track. Paisley even makes a guest appearance, playing guitar on one of the tracks. Paisley's producer, Frank Rodgers, also produced this album. You know it's got to be good.

Finally, the band that makes the music other Christian artists should be making. Jars of Clay upped themselves once again. While I have liked most everything they have done (partly because each album is so different), I thought Good Monsters was their best. Now I believe it is their second best. Musically, this album sounds like it could be played on mainstream radio. The musical creativity is there in abundance. They may not mention God explicitly in the lyrics, but should they have to? There are hints of Coldplay and Kings of Leon in the folds of these tracks. If you don't listen to any other Christian music, you should listen to this album. Check out "Closer" just for me.